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The Virgin Mary is a divine angel. Her countenance was one of the goddess. Our lady divine is the Virgin Mary, her seven sacred verses equal the seventh Heaven of the seven Holy divine. Seven angels would equal God and the places in Heaven where God takes you through your life to experience the seven denominations of the Holy divine. Seven ages of being, seven lives of the Holy scripture for God, seven angels take you to seven places in your heart before you enter Heaven, angels speak for the angels. Heaven for the Holy divine Virgin Mary equals her Holy domain. The royal blue of this Holy divine colour equals God via the Holy Virgin.

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The Virgin Mary is of the Holy divine. The Italians quite often see her in the trees. You would imagine they would frequent the orchards. For the Holy divine the Virgin would bless the fruit. This divine sermon would be on offer in Spring season in what you eat. The Virgin would have visited Renaissance Italy in the form of the Holy divine. She is nominated in the painting of the day with her royal Holy blue. This incredible blue would be something like Yves Klein and his royal ascension to the Virgin. Paris would have been blessed by his sermon. The Void would be nothing. The dark matter close to God is where the French take themselves to Heaven, through the centre of the earth. An incredibly dark countenance about death and the Virgin something like Death and the Maiden for the Germans. More Monasteries would have left behind secular libraries. These Christians would have also studied the devil. The dark understanding did not ever take them to him via sin as a more healthy relationship to insemination and Immaculate Inception would have been taking them to Heaven. God loves the Virgin Mary.

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The Virgin Mary is blue. Her sacred colour is nominated by God. Her veil is royal blue and worn to protect her view. God sends the Virgin Mary to protect woman from anyone evil. He makes her image the Holy divine to view. Her breath gives you hope when all else has failed his divine workers. The veiled capacity to know something special in your heart needs ascension. God tries to communicate his love via divine access. The Virgin Mary is of royal blue because of her sacred person.

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Our procession to God via the cross is a difficult one. The ascension ceremony from the cross to the tomb feels not very far away. The distance travelled appears to be somewhere quite close to the cross and the family are in a state of Holy rapture. Holy ascension for some Christians involves Easter and for others another festival on feast day. Joyous Christians believe the Holy ascension of the Christian view of Christ being ascended to himself happens on the cross. Bind thy feet and carry on, bind thy breast and carry none, cure thy hands and cure thy breast.

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This divine procession from the cross to the tomb is of nominated worth. From the Virgin Mary's gracing of God, to Saint Mary Magdalene holding the candle for the spirit of Christ, the pristine view of ascension with the Holy bible and Holy scripture for the led procession to the tomb, all divining the way to the human heart and God. This ascension group talks about the divinity in man and what it is to be a human being. God gave us the view of the human heart to take ourselves to the Holy divine and via the ascension colours of the angels carries us unto him. The Heavenly view of love is transcribed into our hearts and etched, if not sculpted there by his divine offering of an ivory deposition and procession to God. Love will take you there.

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The Virgin Mary remains. Her Christian life is nominated by her headscarf. Traditionally there would be a blue headscarf worn by the divine goddess nominated by God. This you would believe would reflect the Heavenly domain by a Christian view of where God lives, in the sky. This Heavenly blue shade would also nominate the class of the woman wearing the veil and like other religions nominated as a result of Christianity, divine coverage of her face would have been her public appearance, usually covering the whole face. The Virgin is of an age in this divine grouping of ivory sculptures of the deposition to be a suitable age for the mother of Christ. In her piety the Virgin kisses the hand of her dead son, possibly one of the most painful things a mother would have to face. Although Christ looks at peace in his ascension death to God, the Christ bearer also is importantly happy to rescue his son and the trance of the Virgin Mary nominates her grace.

  

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Now to talk about divinity, the Saint Mary Magdalene figure in this divine little altar offering unto God, holds a candle with a divine cloth to communicate the Holy divine. The scripture reader reads her a message to ascend Christ to God via the scripture and the flame of the candle, not that the sermon would have happened at night, premise dawn. One is remaining. You are reminded of Georges de la Tour and his Magdalen with the smoking flame of a candle, contemplating death. This French understanding of the eternal flame and God via the divine angel ascends Christ by the smoke of the flame. Georges de la tour possibly led a hermetic life. His life goddess does not appear wed nor have led the life of a prostitute. Her countenance is more the appearance of Early Christian piety. Not the earth goddess mother, often all the artistic symbolism to do with Mary is so potent we have Clotho wound up with the River goddess. Something really similar to Camille Claudel's representation of Clotho entwining life through her hair and divine fate. The small ivory representation of Saint Mary Magdalene in the Louvre deposition appears like an older woman already experienced of life.