A celestial map of the stars takes you to Heaven

Nicole Page-Smith

A celestial map of the stars takes you to Heaven

With the spiritual fire existing in the centre of the Universe, we model our life. Harmony and eternal beauty appear as relevant as the influence of the planets journey of Venus and Jupiter around the Sun. We are the Sun of a million moons and phases of the moon and Sun govern our life. The goddesses, Venus and Aphrodite, represented in Greek and Roman, art along with continual revivals of Classical thought, tend to almost make love with our mind about, the stars, the Universe and the Earth's journey around the Sun. Planets of influence tend to be communicating about the phases of the moon. Venus is often portrayed naked as a goddess in Western art to convey her phase, lunar the moon, shining to you with the rising of the planet Venus. Although, the findings of the early Greek philosophers and mathematicians can only be interpreted through existing sculpture and architecture, often texts were not made public, lost or only known in theory, we evaluate the distance of the central fire to equal the Sun. We warm ourselves in philosophy like a plant needs the Sun. Eternal will be our love of Venus, the Sun. 

Why do we have a need for gods and deities? We face the Sun. We know about the Sun gods from the Early Egyptians and the Sphinx of Giza amongst the Pyramids, rising out of the earth like a god of worship of the Sun. Most Ancient Egyptian gods worship the planets and pay tribute with various headdresses and symbols of eternal life. The mystery of the three Pyramids of Giza, one of the Seven Wonders of the Ancient World, would have been of no mystery to the people who built a divine tribute to eternal life. Placed in the desert in a certain direction to the Sun, the three tombs were placed there to protect the dead. All Egyptians of the Ancient world were reported to have lived for eternal life, so the textbooks would have you believe. The hieroglyphics of the ancient Egyptians past is well notated in an ancient language on tomb walls. Similar gods were reinterpreted through the ages to accommodate the same spiritual need for deities and gods. There are known remnants of Assyrian gods of worship and Ancient Greek and Roman tributes to gods with sculptures, temples and ruins, to observe. Early Christianity lasted about eight hundred years. So, why do we all have to worship the Sun? We worship the Sun because we are mortal so, the Ancient Egyptians, some of our ancient forefathers or people, got it right with a notion of eternal life, we are not immortal or live as long as the planets. Eternal love is the will of God and Ancient Egyptians reportedly lived for this occasion, eternal life or the life of the gods. The Epicurean writer, Virgil, with the aid of literature, explains the ancient Roman understanding of God through the embracing of the eternal fire or Spirit. We are central to the Earth.

Philosophy does trespass a notion of God and other writers of literature have been known to contribute to the central theme of the eternal Spirit, eternal flame or God. Whereas early Greek philosophy known about with Pythagoras, Plato and Lucretius, take a journey through nature to view the stars either mathematically with divine geometry or illuminating our notion of the Sun, humanists of the Italian Renaissance, some five hundred years later, would take the divine to redress past Classical themes including sacred geometry to acquire a heliocentric view of the world. A precursor to the Italian Renaissance was the Italian Gothic and we are left with a reminder. Churches and cathedrals are lined with Giotto through to the possibility of Genesis and the facade of the Orvieto Cathedral with an interior, later contributed to by the Renaissance painter, Luca Signorelli. Signorelli's themes and panels of the Apocalypse are almost contemporary. The Florentine writer of the Middle Ages, Dante Alighieri, redresses Virgil. While, heliocentrism was Dante's notion of Paradise with his Divine Comedy, Dante takes Virgil on his journey through Hell, to find Paradise. Heliocentric philosophy took other writers such as the astronomer, Galileo, to Hell, with a misunderstanding in the current church of the day that surrounded him, of Genesis. Where do we find our garden of Christ or Heaven? For Galileo, Heaven was in illumination of the stars by night and a central notion of the world on an orbit around the Sun. It is hard to imagine the Earth journeys around the Sun as the fixed stars of the night sky appear to come closer then diminish with the Seasons. With our journey from night into day you could imagine the world spins on an axis and maybe moves slightly back and forth or in smaller circle of orbit, maybe this is simply an optical illusion. Our world is our central theme and we grow with the Sun.

The celestial bodies of the celestial spheres take us to the fixed stars and the birth of Venus. Venus was born of the morning star. The laws of physics come into play with all anatomical models reaching mathematical proportions of an equation, point to a Counter Earth or an idea of Heaven and Earth equalling God. A counter equation of the void can equal infinite space. We have to try and obtain Paradise. There is a central fire in the centre of Earth with some believing the central fire is an access to Heaven but Hell exists below the Earth for Evil people and Lucifer guards the central fire. The laws of physics suggest the equator has a vortex going both ways from the central fire and we are to believe you find Heaven this way, out past the Earth's surface, in outer space somewhere as through three more circles will be found past the Earth's surface. The spherical circles that gird the abyss of infinite space could include the next two planets to circulate the Sun but are more likely to incur the two planets that are circulating Earth, our central fire. We are the goddess moon but, why do we face the Sun? Entwined with the goddess Hygieia relatives of healing gods and medicine, her father, Asclepius, carries a staff entwined with a snake, the symbol of medicine. All knowledge and wisdom are under threat as with our garden of Paradise in the bible with a similar snaky god entwining the tree of knowledge. We are blessed in the knowing of story of Adam and Eve. A celestial map of the stars takes you to Heaven.

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Hygieia

Nicole Page-Smith

Conclusion: 

Hygieia

There is an Ancient Greek sculpture of the Late Classical period around the third quarter of the 4th Century B.C that is sometimes attributed to Hygieia, the goddess of health. Some sources suggest Hygieia or "health" was also used as a formal greeting amongst Pythogereans, a group of people following the beliefs and philosophy of the 6th Century, Ionian Greek philosopher, Pythagoras of Samos, most well known for his Pythagorean theorem. The portrait bust now located at the National Archeological Museum, in Athens, is sometimes attributed to the Early Greek sculptor, Skopas, who contributed other sculptures of Hygieia but the small portrait bust with which I refer, is more reminiscent of the sculpture created by the Greek sculptor, painter and architect, Phidias. Phidias is well known for sculptures of Athena at the Athenian Acropolis, inside the Parthenon and a sculpture of "Zeus of Olympia", one of the Seven Wonders of the Ancient World. The Pythagorean greeting or pentagon, in writing, also refers to the golden ratio that was later explored by Leonardo da Vinci with Vitruvian Man and the squared circle or divine proportions. All through the Renaissance painters were trying to explore divine proportion to describe perspective and natural form in painting. Similar philosophy and almost the birth of philosophy for the Ancient Greeks, Early Christian ideas and the bible, all refer to divine form, a philosophy used to create an idealized form in the round. Hellenistic philosophy was instrumental in the understanding of the golden ratio, God and a sculpture in the round, perfected with Hellenistic sculpture. We are interrupted at the table with Antonello da Messina's "Virgin Annunciate" with early Renaissance painting and contemplate "The Birth of Venus", one of the finest examples painted by Sandro Botticelli. We are in attribution to the goddess, within.

If we think of divine proportions and the Leonardo da Vinci, drawing, of "Vitruvian Man", c. 1490, based on the work of the Ancient Roman architect Vitruvius, we are taken to geometry and mathematical ideas of the pentagon. Pythagorean theorem makes us aware of our relationship to a circle and hence, the world. The da Vinci drawing and early geometry, related to the proportions of the body, helped Renaissance thinkers, mathematically, equate perspective, on a two dimensional plane or how we relate to a square. Mathematics, to help determine form, is evident in natural forms so, you can also notate form just by observation, alone. For example, drawing by eye will provide a certain evaluation of what you see. However, during the Renaissance and earlier, with Ancient Greek and Roman philosophy, in toe, divine form almost became a science. When, confronted by divine form in the case of sculptures or paintings appearing to refer to God, the gods, goddesses and the Holy Divine, we are transported elsewhere and a mystical equation of our relationship with God, is needed, to keep us here, on Earth. We then, equate form and are taken to a centre of understanding more familiarly known as the heart or the heart of the matter. Are we at the centre of the Universe?

The sculpture of a portrait bust, found in the National Archaeological Museum, of Athens, loosely called Hygieia, did probably come out of a Hellenistic philosophy of understanding of God and the main patron Saint or goddess worshiped in Hellenistic, Athens was the goddess Athena. Sculptures of gods, goddesses and the Holy Divine, do have an adorned aura as though worship was placed on a religious icon in respect or due homage to a religious or philosophical, principal. Similar homage is placed in a church today, to religious icons of the Christian faith. For example, to religious painting and sculpture in a church, adornment is placed. Offerings of Eastern religion are also donated in worship of Eastern gods such as with Hinduism and Buddhism. We light a candle for her grace and Catholics light candles in homage of the Virgin. An offering of peace is needed, for most women, to give them faith, in the period of gestation, before childbirth. We wait in anticipation. A divine gift in translation of the Holy order of God is Antonello da Messina's "Virgin Annunciate". We await the angel and so was the Virgin Mary, in Messina's painting, in anticipation. Awaiting the angel in Christian faith is awaiting the Virgin annunciate. In Messina's painting of the "Virgin Annunciate", the Virgin Mary, awaited, the gracing, of God and with some interpretations of the bible, the Virgin Mary, awaited the acknowledgement, of Saint Gabriel. The Holy Spirit can be sent down via a messenger and some believe humans perform this task, others a dove or bird of Divine gracing of God. Flutter, flutter go the wings of a dove to make your heart all in a flutter. The life of a Virgin, before birth, in Renaissance, Italy would have been, in divine contemplation of the Lord. Catholics, of today, would still consult the Virgin Mother, in all times of need. The goddess Hygieia and goddess Athena would have fulfilled a similar purpose of worship, in a temple.

As we fly off with the goddess Athena, sometimes portrayed as a sea eagle and a goddess of divine intelligence as with the Holy Spirit, we wonder if we are trespassing, a now unknown world to us, appearing to have a direct purpose to Hellenistic, Greece. Early philosophy, predating the bible, appears to be a similar equation of virtue, especially with Hellenistic Stoics. The philosophical ideals, the Hellenistic era were tenanting, do soar your mind up Mt. Olympus, to Zeus, to where the gods were known to reside. The Classical period of Ancient Greece has had many a revival. One such revival was in Renaissance, Italy, in the 14th Century. Artists such as Sandro Botticelli, spring to mind, with the planet of Venus, represented with a painting with the goddess maid, in the "Birth of Venus". Botticelli's painting has been represented, several times, in the history of Western art, to the current period of time, in the 21st Century. The early 20th Century artist, Salvador Dali, used the Renaissance rules of geometry with the golden section and golden ratio, a divine, mathematical, equation of God via the nautilus shell or natural spirals occurring in nature where, the centre is slightly to the left of the picture plane, for general information to require a vanishing point or God. The Early Greek, philosopher, Pythagoras, is remembered for theorem established towards mathematical equations, reaching mystical proportions. Renaissance humanist theorists were tenanting similar Platonic ideals to Hellenistic philosophy with divine geometry, the pentagon often being a model. Galileo discovered the world was round and tried to explain with the aid of a telescope that we lived at the centre of the Universe. Sandro Botticelli was also equating the position of the planet Venus with the visual aids of painting her birth and we are all of another moon. Galileo's astronomy is still useful to this day.

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Believe in yourself

Nicole Page-Smith

Believe in yourself

When, you consider the centre of the Universe and equate mathematically what this could mean for you individually or our mortal existence on the planet in equation of a limited time with God, then, you have reached the centre of all contemplation. We are at the centre of the knowing of God, for God lives in your heart, in the very centre of our completion of an awareness of the infinite. Central to our awareness is the heart. So, if you find what matters to your heart the most, you will find the centre of your Universe. The Sun is reportedly at the centre of our Universe or Solar System of planets, moons and the Sun and this could be interpreted as what illuminates the heart the most gives warmth to your ideas. Astronomers, mathematicians and philosophers of old have included the Earth as a model for the centre of the Universe to include an equator. So, this begs the question, what is at the centre of the Earth? The equator or circumference of the Earth would indicate how far, in distance, you could equate the centre of the Earth to be. The equator would also indicate what the centre of the Earth contains. So, who is at your centre of your Earth? Is God in the centre of your Earth? If you imagine your Earth's centre, to be the heart then, this would answer your question. God is central to

 your world.

There is a flood and the Tower of Babel rose out of the Earth. God spoke the tongue of the Devil to destroy a trespass of Evil. All rivers are dangerous in the height of a seasonal flood. Structures had to be made for a Satan's army to descend from Heaven. A flood of people, were to be noticed, but God forbade the access of Evil. To trespass the Spirit of the Holy, is to trespass the Holy Spirit. Keep your truth. Elephants ride on. Sacred to your heart is God's love and when you lose the Self, you lose everything. The shape of a Cross, came from the stars and the reflection on Earth can be seen in nature. The tree, to be chosen, would have been nominated, by God and a location of the church, to follow Christ, would have been placed, a desert in the knowing. Observations posts of the stars require a tower and early telescopes, simply allowed you to observe the stars in a particular direction. Further, with Galileo, he invented the telescope. Above, Florence, in Italy, is part of the Milky Way, with a tribute to Venus. Perennial floods are also noticed but no towers to Babel. Mosques and temples of worship frequented the religion of the Byzantine era but our heart is held by intricacies of another worth. We nominate our dead so Saints were glorified from another era and Divine evidence can still be viewed in churches for the honour of the Madonna. Venus was the god of love.

The point of the circle equals the circumference, so the centre of a circle, the world, our heart or a single cell of the human body, holds all the information, we need know, about ourselves. The centre of your heart reflects God's light like one bright shining star or the planet Venus, visible, in the night sky. You could equate the whole night sky. You could equate the whole night of stars seen from the Earth's surface and this the heart appears to hold, too as though, the very tip your heart, reflects the whole Universe or God, in the heavens, above. We absorb starlight. Our body's information exists in the nucleus of cells. If God equalled the mathematical equation of Pi, this would equal the sum total of our heart. Can God's love be equated this way? Elephants traipse through in a cosmological dream of the Universe with a view of the night sky. The Italian Gothic, sculptor, Giovanni Pisano and a little, ivory, Crucifix, a fragment of Christ, Crucified, holds my heart so strongly, it may as well equal the sum total of the Universe times my heart's love, for a mathematical equation. We all exist of the body of Christ and for God's love. May God, hold your heart, at the very tip.

If we think of the Italian Renaissance artist, Luca della Robbia, and the beautiful white, glazed, terra-cotta, sculptures of the della Robbia family business, a business still in existence, today, we are only familiar with the existence of Madonnas of both Luca della Robbia and his nephew, Andrea della Robbia. The sublime blue used to surround the Madonna along with the exquisite rendering of Luca della Robbia, in particular, has a sensitivity, so gentle, that you are almost melting into the white glaze as the Madonna fondles the hand of baby Jesus. The Virgin Mary blue of the surrounding glaze speaks of the sky of Heaven while the stark white contrasting of maybe an imitation Carrara marble takes you to the crystalline patterns of the stars. The white terra-cotta glazing of the della Robbia family was no poor mans imitation of a cheapened stone, though, perhaps a practice of crafted rendering familiar to the village of Florence. Most other renderings of the Holy family group are rewarding, not all have survived the test of time and the relief work is the della Robbia families, speciality. A Rondo of a Royal family member has to be one of the della Robbia families best loved pieces, in Florence, where, several other reliefs can be seen today above architraves and doorways of places no longer seeming to be in use for the purpose made. The external reliefs of the della Robbia family, do appear, to suggest, a secret entryway, to another era or line a disused door. God bless.

To contemplate the Spirit of Christ, we contemplate the hollow. The Spirit has already been ascended. The blessing of Christ is to bless the Spirit of Christ, so, Christ, in effect, blessed his own Spirit. If Christ was born of the Holy Spirit of God, then, he did not require Spirit. Christ was born ascended. The blessing of Christ occurred with the blessing of the loaves and the fishes. Christ, was blessed, by, Saint John. Christ's Spirit was ascended after the Crucifixion and some say at Christ's birth. Angels surround your heart and everybody ascends Christ's body, at Easter, for everybody participates in feast day, the pagan festival of sharing the egg. The hollow is a contemplation and a hollow Easter egg usually nominates the Spirit. We are of the egg of God. Our body is the vessel for the Spirit and the Spirit blows through, the hollow reeds. God was blessed by the water's edge. Christ bathed his feet in the lake. In the religious portraits of Christ's blessing, we are usually placed in front of a Christ figure, blessing as though, witnessing a Christian altar or we are the Crucified, Christ, image, Christ is blessing. An artist such as Antonello da Messina was perhaps his own self-portrait with Christian images of a blessing ceremony. The hollow is the blessing of Christ. 

Christ is of the body. Early Christian and Gothic sculptors such as Giovanni Pisano used ivory as a medium to represent a religiosity the size of an elephant. I am the bread and the wine. The delicate awareness of Christ, at the altar with exquisite, small, sized, rendering, of Gothic, ivory, carving, twists and turns, in your Spirit, to take you to a love of the body of Christ and butterflies need to be released from the Spirit as though we have the heart of an elephant. Giovanni Pisano's small, Gothic, ivory, fragment of Christ Crucified, speaks to your heart. "I am" was the vote of the elect council who Crucified Christ. Christ only spoke of the Holy Spirit and about the love of God. God needed people to be aware, of them selves and the eternal dove flies from our head with our Spirit's connection, being the mind. God is our contemplation and the contemplation of the Spirit. We are three in one and our heart via our mind, flies to God, in eternal ascension of the Spirit. We all eat the bread for we eat the body of Christ. The Spirit is ascended with our entanglement with life. We are, all of the, hollow, for we are, all of the body, of Christ. Our elephant Spirit gives us a Divine blessing.

We are all of the body of Christ. Christ is of the water. Blessed, we receive a baptism and the mystical water is our water, for we float. A fragment of the body is like the milky white ivory of an elephant and resonates our worth to God. Christian is our body for the Divine understanding of Christ. To receive the Spirit of Christ, we receive the love of God. Believe in yourself.

The End.

By 

Nicole Page-Smith  

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Angels speak to your heart

Nicole Page-Smith

Angels speak to your heart

The harmony of Jesus was figured out in Heaven with early philosophers looking to the sky. Some equated, mathematically, the mystical patterns of the stars. Philosophers were equating the love of God. Musical harmony does communicate to the Spirit along with harmonic structures and patterns in Nature. We are as familiar with the gentle sounds of a running stream as with saliva on the tongue and the sound of drinking water, a breath in the knowing. Our breathing vaporizes, out through our nostrils with the gentle sound of breath. The sound of the purring of a satisfied, household, cat on your lap, is in harmony with the sound of beauty. Equating the love of Jesus is equating the love of God. Divine harmony has been annotated in music but existed in Nature from the start before the existence of human beings. To hear nature and natural sounds, is to hear, God, whether, it be, the meow of a hungry cat or the squawk of a crying baby, to dry leaves blowing along the street. Harmony existed in God's Divine garden in the rustle of the wind, in the trees, long before woolly mammoths and dinosaurs were heard wandering through, the forest trees. The sound of birds is a blessing, too. Butterflies grace your wing. Our body is of the harmony of Christ.

We sing a tune. There is perfect harmony in the world. Our body is symmetrical for God so, we can recognize our reflection in the mirror. The left side of your face describes the left side of conscious awareness or infinity and the right, the world or our earthly place in the Universe. Everything goes in circle and the circle of the Universe. We are of planetary awareness of who we are because we possess a human body. Jesus made human beings aware of Christ. We have seven circles to be aware of and they circulate your body, each has a zone in correspondence with Nature. We eat the bread of Christ and the loaves and the fishes. Our body is affected by the Seasons and every, planetary movement. You will see the stars of the zodiac calendar and God plant a seed. We have spheres of circular thinking described by Plato. The Divine circles in your head are related to the circular movements of the planets, circulating the Earth via the Sun and the cycle of the moon, for harvest season. Eternal, life was nominated by the Ancient Egyptians, who worshipped the Sun and they followed the Sun with a sundial. Ancient Greeks like Plato had gods for the purpose of the Seasons and every other purpose under the Sun. Hera was the the god closest to Apollo and other gods were named after the Sun. Planets call Mercury to aid or Venus for our brow. Mars was born under Aries and was born of the rising Sun. We live in the age, of Aquarius, for water signs born under the Sun. Your body is aware of your circumstance and we live in the knowledge of the Christian calendar. 

Our body is for the garden. Our body is eaten by Christ and consumed of the garden like a composting vegetable. We are consumed by the garden. As our body goes through the organic earthly process of life, the body decomposes. Matter is disintegrating all around us so, with time, as fast as the body is growing and restoring itself, gravity pulls us apart. Our mortal life on Earth is a fragile existence. There are all sorts of creatures and demons who frequent our garden, from a mortality and as though in some primal, subconscious, dream, mortals, immortals, angels and demons, from Heaven and Hell, eat away your Spirit. The gnawing of a conscious delusion of thought has us believe we may not exist at all. Matter disintegrated for Christ, a long time ago and his body no longer exists on the Cross. Christ's Spirit was ascended to Heaven, over two thousand years ago so, the matter of Christ's Spirit, would have disappeared, too. Heaven is the matter of the Spirit. Our perishing earthly existence has our Spirit disintegrate in the Heaven on Earth. The body rests in the garden. Christ's tomb is empty. The life of the Spirit and the Soul is in the garden of Christ and is our primal existence. Elephants traipse, through.

A whole menagerie of wild beasts, mythical creatures, animals, angels, devils and human beings appear to pass through your garden like creatures of the night, a dreamed consciousness. Entangled in our Christian garden is the garden of Christ. Roses use your heart and climb through you. We are like a trestle to hang the vine on. The Spirit garden of the self welcomes visitors and the garden party is a delight to the Earth you frequent. Primal Spirits occur in a technicolor dream. Our heart is our gateway to Heaven where, angels descend. The Spirit entwined with a cosmological dream of the heavens finds the pathway to God. Creatures walk through you on a passageway to your egress. All the gods you have known from an ancestral heritage are to take you to dust, the dust of the earth, we walk on and they comment about our mortal existence. We are to die a mortal death. However, although we experience mortality as human beings, our Christian love carries on. Heart matter appears to transpire and float with a golden light back to Heaven. We live in the body of Christ.

In Heaven, we are angels for God. Plants talk to you, on your Christian pathway, of the language of God and the mathematical equation makes you aware of your body. Divine matter appears to separate our knowledge of the body confronted by nature and here, we are reminded of our Spirit's ascension to God or death. Plants speak a Divine language to the oxygen of our heart and the Spirit ascends. Our spiritual, ascension is nominated by the stars, of Heaven, talking to the moon. Plants waiver an agreement with the angels, a communication, to our heart and Spirit. Your heart seems happy in the knowledge of the Sun and the golden light is alerted. Angels live in Heaven. The golden light of God, in your heart is, you could imagine, a star pattern reflecting the stars in Heaven and communicating with the angels. A golden ladder is our egress. Is the mathematical equation of God, the circle? The circumference of a circle is three times its diameter so, is God a map of the world? Our body should know the answer. The planets, the moon and the Sun are circular, too and travel circulating, spinning on a cycle. Our heart reflects on the evolution of itself and by an infinite awareness, of our mortality. Angels speak to your heart.

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