Giotto, Crucifix, 1317, Museo Civico, Padua
Carlo Crivelli, The Dead Christ supported by Two Angels, c. 1470-1475,
The National Gallery, London
In Padua, they were also given a large amount of freedom to paint their own style. And were then sent to various townships nearby to continue their own technique. This was continued with painters in Florence and a few of the surrounding towns especially in the hill towns. Sienna felt like a flourishing time in Gothic painting and was also a great place for Gothic sculpture, especially Giovanni Pisano and his father Nicola Pisano.
Giovanni Pisano, The Crucified Christ, c. 1285-1300,
Victoria and Albert Museum, London